![]() We’ve thrown in some note spacing improvements and fixes to a slew of legacy bugs too In short, Sibelius has never been faster at redrawing the score as you drag individual objects or the page around Sibelius has also never looked so good on high-DPI screens on Windows and Retina screens on Mac. These manifest themselves in the way Sibelius appears on your screen and draws the score, and is now even able to make use native OS features like Full Screen on Mac, DPI scaling on Windows, and so on This release has mainly focused on modernizing the Sibelius codebase and many of the improvements are under the hood. All three tiers are benefiting from this far-reaching update We’re really excited to introduce you to the November’s release for Sibelius | Ultimate, Sibelius and Sibelius | First. Got multiple instruments playing the same notes and melody lines in your score, such as an ensemble of violin or trumpet players? Instead of hearing only one voice play, Sibelius now supports playback for n players with Sibelius Sounds, NotePerformer, and other compatible sound libraries, enabling you to hear all of the richness and distinct nuances of having multiples of the same instrument part play together in unison. And now it’s easier to find the plugins you need with new search capabilities built into the Install Plug-ins dialog. Sibelius makes composing, arranging, and engraving scores even easier through a variety of available plugins (most are free!) that can add functionality to the software or perform complex tasks for you. You can even slow down the tempo during loop playback for easier rehearsal and lesson practice-ideal for students and teachers. Sibelius now enables you to select any part of your score for loop playback, so you can quickly experiment. When composing, sometimes the best way to come up with parts is to improvise different melody lines, riffs, and chords over a section of music. ![]() You can even annotate parts directly with a stylus or Surface Pro pen. Freely navigate compositions and add comments to communicate rehearsal notes, feedback, or directions to an editor, engraver, or student. With the new locked-down, read-only Review mode, copyists, engravers, orchestrators, publishers, and teachers can have peace of mind knowing that you can’t accidentally edit or move anything out of place as you review a score. Change log not available for this version ![]()
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